The archaeology of ancient art has much to offer for our understanding of visual culture in past societies, with a record rich in imagery that opens up new ways of thinking about the environment, nature and ecology.
In this course, we consider how a more-than-human approach to prehistoric art offers new insight into the mosaic of human relationships with plants, animals, elements and ecosystems., We also explore innovative and nuanced interpretations about visual imagery of the ecological world. Here, the archaeological evidence suggests relationships, interplay and identities were expressed through image-making.
Focusing on European material and organised chronologically, we will we engage with the earliest evidence we have for visual depiction of the more-than-human world. This will include cave paintings (eg Altamira,, Spain), sculpture (eg the swimming reindeer, France), carvings (eg river boulders of Lepenski Vir, Serbia), monuments (eg Neolithic Temples of Malta) rock art (eg the Dunchraigaig Deer, Scotland), metalwork (eg Gundestrup Cauldron, Denmark) and frescoes (eg Knossos, Crete). This will lead to an engagement with the role ecology plays in the construction of prehistoric lifeways. Our coverage will also include global ethnographic and anthropological research as analytical tools for interpretation.
This course is part of the Oxford University Summer School for Adults (OUSSA) programme.