Seminars
Participants are taught in small seminar groups of up to 12 students, and receive two one-on-one tutorials with their tutor.
Sunday
Seminar 1: What is comedy? We start with an investigation into different definitions and genres of comedy, and types of comedic performance.
Seminar 2: Why do we laugh? This seemingly innocuous question has puzzled writers including Herodotus, Hobbes and Freud. We explore laughter, jokes, taboo, incongruity, and the role of humour in comedy.
Monday
Seminar 3: Happily ever after: the enduring appeal of the romantic comedy. We look at the structure of Greek New Comedy, screwball films, and romcoms. The importance of endings.
Seminar 4: Romantic comedy (cont’d): How this type of comedy helps us balance individualism with social expectations, rules with rule-breaking, age with youth. We also look at what happens when romantic comedies ‘go wrong’.
Tuesday
Seminar 5: Comedies of manners: Character types, broad social commentary, tight plotting, exaggerated situations and elements of farce and slapstick. We look at the Commedia dell'Arte, C17th plays and sitcoms.
Seminar 6: A focus on The Importance of Being Earnest by Oscar Wilde.
Wednesday
Seminar 7: Satire I: gentle or generalised satire in the tradition of Horace or Menippus, including Jonathan Swift, Dr Strangelove and Don’t Look Up.
Seminar 8: Satire II: Angry satire from Juvenal to Jon Stewart: can it ever change society? We also consider parody and ridicule.
Thursday
Seminar 9: Absurdism: comedy that fundamentally seems to challenge reality, often without laughter, can be nonsensical and childlike or highly philosophical and political. Charlie Brown, Laurel and Hardy, and the Theatre of the Absurd. We will also touch on anti-humour and slapstick.
Seminar 10: Contemporary comedy: a discussion on the role of comedy in our own lives, the status of different types of comedy, generational shifts and the impact of changing technology, including AI.
Friday
Seminar 11: Mixed genres: we explore the borders of comedy with other genres such as tragedy, and horror. How is laughter like a frightening jump-scare? Is Chekhov’s The Cherry Orchard actually a tragedy?
Seminar 12: Comedy in the works of William Shakespeare: we will pick up themes from throughout our week of study, exploring the shift from farce to festival and then forgiveness, and see how what is funny in one era is poignant or cruel in another.
Programme timetable
The daily timetable will normally be as follows:
Saturdays
14.00–16.30 - Registration
16.30–17.00 - Orientation meeting
17.00–17.30 - Classroom orientation for tutor and students
17.30–18.00 - Drinks reception
18.00–20.00 - Welcome dinner
Sundays – Fridays
09.00–10.30 - Seminar
10.30–11.00 - Tea/coffee break
11.00–12.30 - Seminar
12.30–13.30 - Lunch
13.30–18.00 - Afternoons are free for tutorials, individual study, course-related field trips or exploring the many places of interest in and around Oxford.
18.00–19.00 - Dinner (There is a formal gala dinner every Friday to close each week of the programme)
A range of optional social events will be offered throughout the summer school. These are likely to include: a quiz night, visit to historic pubs in Oxford, visit to Christ Church for Evensong and after-dinner talks and discussions.