Seminars
Participants are taught in small seminar groups of up to 10 students, and receive two one-on-one tutorials with their tutor.
Sunday
Seminar 1: The elements of setting. We will discuss the different aspects of setting, and how each of them can influence the work as a whole. We will also share examples of favourite settings and the role they play in their story.
Seminar 2: Topography of a setting. In this practical workshop we will devise a setting to work on throughout the week, drawing maps and using them to consider all the aspects that make up a setting. We will compare the various features of our real and fictional worlds.
Monday
Seminar 3: Settings and their systems. In this session we will delve deeper into the systems that make up our settings, from political systems to public transport. We will create ephemera to accompany our fictional systems and consider the influence they can have on plot.
Seminar 4: Settings and their people. In this seminar we will explore the type of people that inhabit different settings, looking deeply at their historical and cultural contexts, whether real or imagined. We will work towards developing a cast of characters to populate our settings.
Tuesday
Seminar 5: Settings and the natural world. In this seminar we will consider the way nature intersects with and informs our settings. We will discuss climate fiction and survival fiction, and consider how this might impact genres like sci fi and fantasy.
Seminar 6: Sense and setting. In this workshop session we will look more deeply at the role sense plays in setting description. This seminar will be followed by a self-guided field trip to Oxford Botanic Garden.
Wednesday
Seminar 7: Workshop check-in. To mark the middle of our week, this session is given over to discussing works in progress in a warm and supportive environment.
Seminar 8: History and historical context. In this seminar we will look at how the historical context of a story influences it. We will consider how differently stories are presented when given alternative time settings.
Thursday
Seminar 9: Research and working with detail. In this session we will discuss strategies when approaching researching settings. We will also consider how to work effectively with detail, keeping our settings relevant and ensuring they don’t overwhelm the plot.
Seminar 10: The role of objects. In this seminar we will look at the ability of objects to invoke their entire setting, and what their close description can add to our narratives. This seminar will be followed by self-guided field trip to the Pitt Rivers Museum.
Friday
Seminar 11: The role of memory. In this seminar we will look at how the description of memory can differ from scenes set in the narrative present. We will also discuss the impact the use of memory can have on a reader
Seminar 12: Conclusions - looking at your own time and place. In this closing session we will consider our own real-world settings and how we can use what we have around us to further our writing.
Programme timetable
The daily timetable will normally be as follows:
Saturday
14.00–16.30 - Registration
16.30–17.00 - Orientation meeting
17.00–17.30 - Classroom orientation for tutor and students
17.30–18.00 - Drinks reception
18.00–20.00 - Welcome dinner
Sunday – Friday
09.00–10.30 - Seminar
10.30–11.00 - Tea/coffee break
11.00–12.30 - Seminar
12.30–13.30 - Lunch
13.30–18.00 - Afternoons are free for tutorials, individual study, course-related field trips or exploring the many places of interest in and around Oxford.
18.00–19.00 - Dinner (there is a formal gala dinner every Friday to close each week of the programme).
A range of optional social events will be offered throughout the summer school. These are likely to include: a quiz night, visit to historic pubs in Oxford, visit to Christ Church for Evensong and after-dinner talks and discussions.