Explore the Victorian Rebellion of the Pre-Raphaelite Brotherhood (PRB). Millais, Rossetti and Hunt formed the PRB and infused modernity to the artistic establishment, being inspired by the past. Edward Burne-Jones and William Morris followed and added to the distinct idiom of the group.
We will discuss the art that immortalised the dualities that the Brotherhood embraced: medievalism and modernity, painting and literature, realism and fiction, moralism and pathos, love and death. The Modernity of the Past: discover the oxymora and the contrasting notions that characterise the PRBs: Millais ‘embraced’ Effie Ruskin (the wife of his mentor) and the artistic rebellion of the PRBs, but later joined the establishment and the Academy. Hunt and the ‘Oxford movement’ dictated the depiction of the ‘sacred’ subject matter, but other members, such as Rossetti, favoured rather ‘profane’ portraits of auburn-haired models. The PRB’s visual depictions of the poetry of Dante, Shakespeare or Tennyson, celebrate the purity of love that only exists in Paradiso. In reality their personal lives were the windmills of lust and death of the Inferno.
We will also study the Pre-Raphaelite Brotherhood artwork in situ: The University of Oxford, and Christ Church in particular, are home to a number of Pre-Raphaelite Brotherhood masterpieces.
This course is part of The Oxford Experience summer school programme, held at Christ Church.