The work of Rembrandt has fascinated and perplexed in equal measure ever since his obscure death in 1669. Known mainly as a moderately successful, yet insolvent, painter of portraits during his lifetime, Rembrandt was virtually forgotten by immediately succeeding generations - until the 19th century when his work was rediscovered as representing a body of uniquely idiosyncratic, yet powerfully insightful psychological and emotional studies, spanning an entire range of subject, media and genre.
We will explore the many facets of Rembrandt’s life and work. Chart his progress in technical terms from the smoothly finished haut bourgeois portraits of his earlier career to the solitary, densely textured impasto introspections of his final years. Delve into the complexities of his personal and financial affairs and shall ask how far these found expression in his paintings. We shall explore the constantly evolving intricacies of his work as a painter and print-maker and shall look for the influence of other artists, such as Rubens and Caravaggio, upon his work. Finally, we shall seek evidence of the long-term impact of Rembrandt's work upon modern visual art forms - from the paintings of Frank Auerbach, to the photography of Julia Margaret Cameron, and the cinema of the 1940s ‘Noir’ school.