One cannot read contemporary poetry without a knowledge of the modernists. Art and literature were 'changed utterly'. This course is about how modernism developed in English language poetry from 1910 to the end of the Second World War, from Gertrude Stein to the Ern Malley hoax.
Modernism went back to the roots of poetry and challenged the accepted complacencies of the Victorians. It overturned the pentameter, made a fetish of ruins and wastelands, and became embroiled in the political extremes of inter-war Europe.
We shall engage in close readings of poems and texts by Pound, Eliot, Stein, Niedecker, and Marianne Moore, among others, and selected lesser-known texts. Short texts or extracts from relevant non poetic texts will also be supplied.