Familiarise yourself with fashion items and their depiction pertaining to different strata of society between the Middle Ages and the early modern era.
Fashion will be treated as a cultural and social phenomenon shared by societies and courts of the vast Mediterranean, from the Black Sea to the Atlantic, from northern Africa to the British Isles.
The course will analyse the design of garments pertaining to different members of medieval and early modern hierarchical societies, with a particular focus on official and notable costumes of Mediterranean courts along with their rendition in the arts. During the seminars we will highlight how both actual garments and their representations functioned as a visual lingua franca employed by members of different courts to express agency, power, influence, and wealth.
We will discuss textiles, artefacts, and paintings depicting fashion from late Byzantine and Medieval Art to early modern and Renaissance Europe.
The case studies analysed in the seminars will provide evidence of the production and circulation of fashion as mean for signalling identities by the choice of clothes design, textiles, but also colour schemes, since a colour, as remarked by the fictional character Miranda Priestly in The Devil Wears Prada, is never just a colour and blue “[It] is not just blue, it’s not turquoise, it’s not lapis, it’s actually cerulean”.
This course is part of the Oxford University Summer School for Adults (OUSSA) programme.