Irish writing continues to enjoy a very high international profile. Recent years have seen the publication of a number of outstanding works of fiction by women writers such as Claire Keegan, Sally Rooney, Maggie O’Farrell, Audrey Magee and Doireann ni Ghriofa – three of which have been successfully adapted for television, the theatre and the cinema.
As well as discussing and evaluating their concerns, structure, narrative viewpoint(s), characterisation and style, we will share ideas on how these literary texts reflect political, social and cultural reconfigurations and generate revised readings of Irish history, politics, culture, gender and identity. Often, the novels engage fruitfully with the work of major Irish and non-Irish writers that have preceded them.